About the Composer
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Robert Hugill is a London based composer, journalist, blogger and lecturer. Robert Hugill writes attractive, accessible contemporary classical music in a variety of genres. Robert runs the highly regarded classical music blog, Planet Hugill, reviews for OperaToday.com and has contributed articles to magazines Classical Music and Opera. Robert gave his course An Introduction to Opera at The Course in Mayfair in 2016.

As a composer Robertís setting of the Advent Prose was premiered by Alistair Dixon and Chapelle du Roi in 2014, and they will premierd Robertís setting of Ruth Padelís Learning to Make an Oud in Nazareth in July 2015. Robert's cantata The Testament of Dr. Cranmer was issued on the Divine Art label, performed by the eight:fifteen vocal ensemble conducted by Paul Brough. His first opera, Garrett was performed in 2001 at Hoxton Hall, directed by Darren Royston with Damian Thantry in the title role, and his second opera When a man knows was staged in 2011 at the Bridewell Theatre, London. His songs were placed in the English Poetry and Song Societyís A E Housman, Ivor Gurney and Diamond Songs competitions.

Robert has just complete his motet cycle Tempus per Annum which includes 73 motets for the churchís year setting the Latin introits for Sundays and major feasts. The cycle was released on the free to download site CPDL. Performances of motets from the cycle have so far included the eight:fifteen vocal ensemble (conductor Paul Brough), the choir of All Saints Church, Margaret Street (conductors Paul Brough and Timothy Byram Wigfield), London Concord Singers (conductor Malcolm Cottle), Chapelle du Roi (conductor Alistair Dixton), the Amaryllis Consort (director Francis Brett), Harmonia Sacra (conductor Peter Leech), and the choir of St Johnís Church, Fulham (conductor Ben Woodward).

Born in Cleethorpes, UK in 1955, Robert Hugill is a mainly self-taught composer. In the 70ís and 80ís he was the musical director of the Church of St. Andrew and St. George, Rosyth, Scotland, musical director of Londonís first Lesbian and Gay choir, The Pink Singers and acted as composer and arranger for a number of cabaret acts in London and at the Edinburgh Festival Fringe.

As a singer, he is currently a member of London Concord Singers and the Latin Mass Choir at St. Maryís Church, Cadogan Street, Chelsea, London. Robertís motets and mass settings have been performed at St. Maryís Roman Catholic Church Chelsea , the Oxford Oratory , St. Woolos Cathedral Newport , All Saints Church, Margaret Street, London, St. Botolph without Bishopsgate, London, St Catharine's College, Cambridge and St. George's Church, Hanover Square, London.

In 1994 Robert founded FifteenB, the choir which gave the first public performance of Robertís cantata Vocibus Mulierum - Womenís Voices. In 2000 the choir premiered Robertís Requiem for unaccompanied choir at the Chelsea Festival. They returned to the Chelsea Festival in 2002, 2004 and 2006 with programmes of liturgical music including a number of Robertís motets.

In 1999 Robert was commissioned by the early music group, The Burgundian Cadence, to write Passion a 40 minute unaccompanied setting of the passion story from St. Johnís Gospel interpolated with poems by the American poet, Carl Cook. The Burgundian Cadence performed Passion on a UK tour in 1999 and subsequently recorded the work. The recording received its first broadcast performance on Vatican Radio as part of the Jubilee celebrations in 2000. Robert's Choruses from Passion was premiŤred by FifteenB in 2008, and the work received its Polish premiere in 2009 when Chor Mieszany Caecilianum performed it in the Cathedral of Christ the King, Katowice.

Robertís motet Here Be Angels was commissioned by the Crouch End Festival Chorus, musical director David Temple. The chorus gave the first performances of the motet in March 1998 and the revised version was premiered by London Concord Singers in December 2002. The Black Dragon, inspired by a science fiction story, was premiered by London Concord Singers in 2000 as part of their Millennium celebrations. In 2006 London Concord Singers premiered Robert's Ubi Carmina as part of their 40th anniversary celebrations.

In 1999 Robert wrote the incidental music to ĎCandle Dancingí, a play by the Pittsburgh based playwright Coni Ciongoli-Koepfinger and the music was performed in Pittsburgh as a part of the first run of the play. In November 2001 Robertís song cycle Songs of Love and Loss received its first American performance at CMU in Pittsburgh. Robertís opera, Garrett, based on a play by Coni Ciongoli-Koepfinger, was staged in London in June 2001. An audio book of the play CandleDancing, with Robert's music, is being issued in 2009.

A number of Robert's orchestral works have been premiŤred by the Salomon Orchestra. In March 2006 the orchestra, conducted by Adrian Brown with baritone David Greiner gave the first performances of Robert's Elegy for Baritone and Orchestra and the tone poem In the Barbarians Camp.

As a complement to his amateur group, Robert founded the professional choir, the eight:fifteen vocal ensemble in 2005. They gave their debut performance at St. Giles Cripplegate, premiŤring Robert's cantata The Testament of Dr. Cranmer. They repeated the performance in March 2006 as part of the commemorations for the 450th anniversary of Cranmer's execution at Oxford University Church. The ensemble, conducted by Paul Brough, recorded The Testament of Dr. Cranmer as part of a new disc of Robert's choral and vocal music recently released on the Divine Art Label.

Robert's songs came 2nd and 4th in the English Poetry and Song Society's Ivor Gurney competition in November 2007 and another song came 3rd in the Society's A.E. Houseman competition in February 2009. His song For David on His Birthday was 4th in the English Poetry and Song Society's Diamond Songs competition in 2012 and was premiered at Colston Halls in Bristol by Stephen Varcoe and Nigel Foster.

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